Solaris begins with a simple, evocative setup. Three scientists studying an alien planet begin receiving unwelcome "visitors" — apparently human figures from the long-dead past, returned to haunt the living. They appear (and reappear) while the scientists sleep, as though dragged into the waking light from the deepest recesses of their subconscious guilt, dread, and regret. Sent to investigate, psychologist Kris Kelvin awakens next to his wife, who’d killed herself 10 years earlier. Is she "real"? How did she arrive at the space station? And how is she connected to the ocean planet, Solaris?
For Stanislaw Lem, author of the original 1961 novel, this setting provided an opportunity to critique one of science fiction’s most...
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