The man born Abel Tesfaye began his career as a mystery. His first mixtape, House of Balloons, was released for free on his website in March of 2011. The tape was as gritty and dark as Tesfaye’s voice was angelic, its sex appeal came with a sidelong threat of violence. The combination was arresting; every corner of the music world perked up its ears. MTV called it the best album of the year. It got a co-sign from Drake. In the months that followed, he released two more free mixtapes, Thursday and Echoes of Silence, both of which dug even deeper into Tesfaye’s seedy, confessional world. Curiosity about who, exactly, The Weeknd was skyrocketed, fueled by Tesfaye’s initial refusal to give any press interviews or even show his face.
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