Last Thursday, two new exhibitions opened at the main building of the Museum of Contemporary Art in Los Angeles, both part of what the museum is calling a "new era" in the wake of the tumultuous Jeffrey Deitch years. Most of MOCA’s downtown space is now dedicated to Sturtevant: Double Trouble, a retrospective of the replicationist Elaine Sturtevant, which features a muscle-bound dude in silver booty shorts dancing on a lit-up go-go platform for 45 minutes each day. And behind a wall and on the other side of a long black curtain is Kahlil Joseph: Double Conscience. From the title, casual visitors may assume it's a companion installation, but what is playing on a continuous loop in the darkened room is director Kahlil Joseph’s m.A.A.d.
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